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After delivering the totally participating net sequence Scam 1992, director Hansal Mehta will quickly be again in viewers’s properties with one more entertainer, Chhalaang. The movie, due to launch on November 13 on Amazon Prime Video, seems to be a light-hearted affair. While that is likely to be the norm for others, for Mehta, the film has been “a leap of faith.”
In a dialog with indianexpress.com, Hansal Mehta spoke concerning the breezy nature of his upcoming directorial, his many collaborations with Rajkummar Rao and the function of OTT platforms in introducing new types of content material.
Talking about Chhalaang, Mehta shared that very like what we will see within the trailer, Chhalaang is a “breezy, sweet, slice of life film” that has “generous dollops of humour.” The film follows the character of Rajkummar Rao, a Physical Training instructor in Haryana. Though Mehta described the movie as a “breezy entertainer,” he additionally referred to as it a “journey of self-discovery” for Rao’s character. For Mehta, that is his sixth collaboration with Rajkummar Rao, and the director shared that they “come together and work together because we love what we do.”
Chhalaang is a Diwali launch however now, throughout the pandemic, that conventional short-hand for the big-money weekend has acquired a brand new that means. A Diwali launch on an OTT platform is one other method to get the viewers to sit collectively with their household, and in that respect, Chhalaang has the proper timing. “It is a family entertainer,” and for Hansal Mehta, that’s a primary. The Omerta director shared that Chhalaang “would have been great fun with the collective viewing experience (in a theatre)” and he’s “nervous and excited” for his first household movie.
Mehta, identified for movies like Citylights and Aligarh, shared that engaged on the “breezy” Chhalaang was like a “detour” for him. The film seems to be a love-triangle and has been co-written by Sonu Ke Titu Ki Sweety director Luv Ranjan. While Mehta’s previous work has been of a special sort, with Chhalaang, he shared that he “wanted to shift gears for once. The attempt is to do something new, to surprise yourself, challenge yourself.”
With Scam 1992, Hansal Mehta obtained reward from critics in addition to the viewers and the director humbly accepted that he feels “blessed that at this very difficult time, the audience is responding so positively to the work that we are doing.” Talking concerning the boon of OTT platforms, the director shared that long-format storytelling has been fairly a blessing for content material creators as they’ll discover the characters and story in larger depth. He joyfully admitted, “With Scam 1992, we have been able to tell an unusual story and enjoy unprecedented success.”
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