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Kamal Haasan turned a 12 months older in the present day. He has been appearing in entrance of the digicam since he was 4. By the time he celebrates his subsequent birthday, he could have bid goodbye to movie appearing for which he devoted over 60 years of his life. He is contesting the upcoming Tamil Nadu state elections, which is due subsequent 12 months. And he takes this leap of religion into the unknown territory with out figuring out whether or not or not he’ll succeed. And that braveness to threat failure is what makes Kamal Haasan stand out from the remainder of the group.
Kamal never bothered himself with the query of whether or not or not he’ll land on his ft when he’s about to do one thing groundbreaking. And his spectacular physique of labor in movies stands testomony to that reality. The solely downside was the Indian movie trade was not able to open its thoughts and purse to assist his world ambitions. And who can blame movie traders, when most of us failed to understand his repeated makes an attempt to sharpen our cinematic sensibilities. We anticipated him to maintain churning out films like Sakalakala Vallavan, Kaakki Sattai, Apoorva Sagodharargal and Michael Madhana Kamarajan.
Had we put in a bit effort to grasp and respect his films, the Indian movie trade would have been in a significantly better place. We would have had films that thoughtfully depicted our historical past versus one-dimensional and chest-thumping nationalist movies that we’re subjected to.
Kamal Haasan wished to inform a narrative a few persecuted tribe within the colonial period within the now-defunct epic historic film Marudhanayagam, years earlier than Mel Gibson made a film referred to as Apocalypto. The 2006 Hollywood film depicts the brutal oppression and ensuing violent rise up set within the historic Maya civilization earlier than it was colonised by the Spanish.
A number of years in the past, Ilaiyaraaja on his YouTube channel launched a music video displaying some chosen visuals from Marudhanayagam. It reveals Kamal in his most medieval avatar but. In the tune, Kamal’s Marudhanayagam flees the caste-persecution and leads his persecutors in a wild chase. The scenes are so uncooked and evoke such a primal response in a single’s thoughts that’s so much like what Mel Gibson achieved in Apocalypto. Kamal envisaged this epic motion drama years earlier than Apocalypto was ever made. However, he didn’t have sufficient funds to deliver it to the large display screen first.
Maybe, Marudhanayagam would have seen the sunshine of the day, had we appreciated Kamal Haasan’s Hey Ram when it first launched in theatres in 2000. If Hey Ram had been a field workplace blockbuster like Richard Attenborough’s Gandhi, Kamal might need had sufficient funds to deliver Marudhanayagam to life. And it might have inspired mainstream producers to fund such nuanced and sophisticated masterpieces versus betting on brain-dead pot-boilers.
At least, we must always have discovered our classes by now. Only, we haven’t. We proceed to let him down each time he tries to do one thing pathbreaking and develop our creativeness and information. Any different actor-producer would have lengthy stopped exploring new avenues of storytelling. But, Kamal is radical. He never gave up on us. He’s on a mission to teach and put together us to demand extra high quality films from our filmmakers.
In 2001, he wrote and acted in Aalavandhan, a pathbreaking film by way of know-how on the time. He performed a psychopathic serial killer with a spectacular thoughts. The character has been caged bodily for years as a result of not many, who’re on the opposite aspect of the cage, may perceive his thoughts. Perhaps, the film mirrored Kamal’s personal alienation as a liberal in a largely conservative trade.
At least, by now, we must always have understood that when Kamal makes one thing, we must always respect that. But, once more, when he got here out with Anbe Sivam (2003), we failed to understand this masterpiece. If it had tasted success on the field workplace, Kamal would have continued to counterpoint our lives with the adventures of Nallasivam. If you didn’t know, Kamal wished to make a sequel to Anbe Sivam. But, he couldn’t discover individuals who may put money into his imaginative and prescient.
All Kamal Haasan films that have been deemed flops on the field workplace at the moment are being celebrated as treasures of Indian cinema. He has all the time been forward of the instances, so now it’s our alternative to pay again his contribution to our lives by appreciating his creativeness and work when it occurs, as a substitute of some years later.
If we would like our filmmakers to make higher films, then we now have to develop into a greater audience first. And it begins with appreciating Kamal Haasan.
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