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Given the variety of movies that are going for a direct-to-OTT launch owing to the Covid-19 disaster, theatre owners stay at loggerheads with producers. More so as a result of cinemas have nonetheless not been given the go-ahead by the federal government to reopen, which director Ken Ghosh thinks is a fairly sensible transfer.
“I don’t see why the theatre owners are upset. It is like ‘I’m drowning, so you’ve to drown with me’. It’s a very silly argument. We’re in a situation we can’t control. The theatres aren’t open and even if they do, I don’t know if people will feel comfortable to go out. I read somewhere that going to theatres is a high-risk activity in such a scenario,” shares Ghosh.
The filmmaker feels that regardless of how a lot individuals love their films, “I don’t think that they want to risk their lives or the lives of their loved ones by going to a theatre as yet.”
Lending full help to his buddies who have determined to launch their movies on the internet together with casting director Mukesh Chaabra and actor Kunal Kemmu, the filmmaker says he understands their choice was primarily based on the present scenario.
“None of them said that ‘Let’s make a film for digital’. They always wanted to make a big screen film. But they had to adapt to the situation, and it’s a temporary normal. But again, hopefully, next time this year, people will be back in theatres. Either we’ll have the immunity to fight this disease or the vaccine will be out. That’s only when people will feel confident to come back to theatres in large numbers,” he says.
Ghosh additionally had to face the brunt of the lockdown and the pandemic. He reveals that he had shot half of his net collection earlier than the disaster and now will have to resume the shoot of the remaining half however with some main rejig to the script.
“There are new rules and regulations about how we can shoot. We’ve to adapt and shoot scenes in a way that they flow better. It should not look like it was shot in pre and post Covid eras. It has been tough and there are of course alterations in the scripts now. There are no big crowd scenes anymore, the big production scenes have to be changed. We also have to work with a team which is much less, just 35 percent of the unit,” he concludes.
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