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Panaji: Brazilian filmmaker Gustavo Galvao says his newest film “We Still Have the Deep Black Night” is a mirrored image of the present political local weather of the nation and goals to combat censorship and dictatorship by artwork. The drama follows the story of a trumpet participant who leaves Brasilia (Brazil’s capital), bored with the wrestle together with her rock band. “We Still Have the Deep Black Night” had its India premiere on the 51st version of the continued International Film Festival of India (IFFI).
Galvao mentioned unbiased artistes in Brazil are “facing a difficult moment”, with lack of funding, rising censorship and areas of artwork being shut down. When requested if the local weather of the nation triggered the movie, the director advised PTI, “In India, you have a strong system, you can have private money for independent films. But that isn’t the case in Latin America, where you need public money. “This government has clearly expressed that they wouldn’t finance films that they don’t agree with ideologically. Some 800 film productions are stuck.” Galvao, who’s attending the pageant right here, mentioned he shot the movie in 2017, at a time when the “wave of censorship had begun.” The filmmaker mentioned simply days earlier than the shoot, an artiste was arrested for performing and the scenario resembled full “dictatorship”.
“We had tough times from 1960s to the ’80s because of dictatorship and now it’s coming again. But we are here, still facing difficulty, still creating, writing. In a way, the film acquired this importance in Brazil, because it’s about how to resist, keep fighting through art,” he added. “We Still Have the Deep Black Night” stars musicians-actors Ayla Gresta, Gustavo Halfeld, Steven Lange, Marat Descartes and Vanessa Gusmao.
The movie turned a medium to precise Galvao’s help in direction of the music group of Brasilia, the place he was born and raised. The filmmaker, who can also be a former band member, mentioned Brasilia was the capital of rock music in Brazil however the metropolis, which was looking for its id by music, struggled as performing locations began getting shut. “There’s a coverage of the federal government to close down locations to forbid music, to forbid what they name ‘noise’. It was disturbing me so much as I’m from town. I didn’t need my metropolis to die, due to insurance policies that forbid artwork, music.
“So I decided to create this film about this young musician. I had to make this one to express my solidarity with them (the artistes),” he added.
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