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The feminine actor can’t marry the hero in an elaborate wedding ceremony sequence nor can he beat up 20 goons without delay. And since these are the instances of social distancing, the lead couple can’t romance both. The tips instructed by Maharashtra authorities to resume shoots has made this clear. So, what’s the way forward? One phrase: VFX. Or particular results.
One won’t have even realised, however in the previous few years, this expertise has come in useful for nearly each small or large movie, TV or net present. And now, with ‘new normal’ in place, it’ll be used extra closely.
Producer Anand Pandit, who has two films lined up — Chehre and The Big Bull — agrees and provides that the budgets allotted to VFX will shoot up.
“Of course, the use is going to increase and absolutely going to help. But I feel it’s a temporary phenomena. As soon as the vaccine comes up, or the intensity of the destruction of the virus goes down, we’ll get into normal mode. But for the next one year, VFX is going to be extremely important to complete films,” he says.
Trade analyst Joginder Tuteja concurs saying, “VFX was anyway used in films for crowd scenes. Now, all the more, because matter of fact is if there are 10 people standing in a frame, you can’t have them in close proximity. So, there’ll be three-four shots which will be merged together. Even for background dancers, VFX could come into the picture, as we’ve seen in regional films.”
VFX EXPERT TELLS US
Rohan Desai, Global Head, ReDefine, the firm behind the VFX for upcoming films corresponding to Brahmastra and 83, reveals that with the want to adhere to social distancing and keep minimal human contact, visible results will come to the fore. “For years, VFX companies have been of great help in keeping people safe. Some of the notable examples include the crowd being digitized. Doing so is practical in the current scenario as it eliminates the need for any additional costumes, make-up and props, all of which involve human contact,” he says.
Similarly, scenes like bodily explosions, that require security protocols and additional crew, “can now be shot separately” in a extra managed surroundings, he provides.
IT ALL HAS TO BE IN THE STORY
Filmmaker-choreographer Remo D’Souza, nevertheless, doesn’t really feel that VFX can be the way forward. “I don’t feel that we can shoot, say a wedding sequence and create everything on VFX, or shoot a dance. You can’t create dancers. The way to shoot will be to shoot smartly, and only the stuff which won’t require this stuff. It would have to be incorporated into the story itself. Makers would have to concentrate on stuff which would not require a big crowd,” the 46-year-old says.
Pandit additional factors, “The budgets will increase, but all directors and writers would have to make projects in such a way that we have minimum scenes.”
Explaining the economics, Tuteja cites an instance: “In a regular film, 5-10 percent of the budget is allocated to special effects. For films such as 2.0, 50-70 percent of it is VFX. For a regular film, the budget will go up by 10 percent. It depends from film to film. For a biggie, it would increase by another 15-20 percent of the budget.”
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