[ad_1]
How soon is too soon to make a movie on a tragedy? The unhappy demise of Sushant Singh Rajput has not solely began a dialog about psychological well being but additionally kicked up a storm in Bollywood with many attributing his loss of life to the arduous time that outsiders have in the movie business.
Now, inside a month of his loss of life, two movies have been introduced that are inspired by the lifetime of the late actor, and one in every of them stars TikTok star Sachin Tiwari, who had change into a rage on social media for his uncanny resemblance to Rajput. This once more has put forth the query of whether or not it’s all about milking a possibility.
Read extra| Second film on Sushant Singh Rajput announced, to be titled Sushant
Filmmaker Hansal Mehta, who has directed actual-life inspired movies reminiscent of Shahid (2013), Aligarh (2015) and Omerta (2018), says in the end it all relies upon on the intent behind the movie. “When you make a film on a true story, it’s always about the intention of the filmmaker. If the intent is to let the world know of the actual story, then it’s a different thing, but, if, it’s to simply capitalise on something that’s topical, I think that’s not ethical,” he explains.
However, filmmaker Anant Mahadevan, who has made a number of biopics and actual-life inspired movies, feels that timing of the movies are completely off and it appears that the makers solely need to cash in on what’s taking place.
“Filmmakers have a habit of exploiting current topics and real-life situations. We saw how so many films were announced after the 26/11 attacks to an extent that a certain filmmaker even visited the location just a few days after the tragedy struck. That’s not what honest cinema is all about,” he says.
Talking about Rajput’s movie in specific, Mahadevan questions the decision of the movie. “The matter is not resolved yet and ‘s a lot of public sentiment involved, how are you going to take it forward? Whatever they do will not be a truthful account because the investigation on Sushant’s death is still going on,” he provides.
Calling it “not a legit move”, director Anurag Basu feels that a movie, even when it says is inspired by Rajput’s life, is method too suggestive. “Since his death, everybody has been gossiping. So, this is an extension of that. That’s what has been happening and log consume kar rahe hain. We can’t say what the film is about, as nobody knows Sushant’s story other than his parents and near ones,” Basu opines.
In such a situation, the consent of the household of the individual is paramount in any other case, it turns into unlawful, feels filmmaker Ram Kamal Mukherjee. “As far as the sensitivity of the subject is concerned, by speculating on whether he was killed or was it a suicide, basically you’re harping on sensationalism and simply trying to attract eyeballs. Lot of people tried to do that after the deaths of Sridevi and Divya Bharti, too,” factors the director, who’s working on his biopic on Noti Binodini.
Meanwhile, filmmaker Vivek Agnihotri refused to even dignify the challenge with a response and ensures that “this film will never even be made. It looks shady”.
Too soon to make a movie on Galwan Valley?
- Just after 20 days of the face off between Indian and Chinese troopers in Ladakh, actor-producer Ajay Devgn introduced that he’s all set to make a movie on the Galwan Valley conflict that left 20 Indian troopers useless. After the announcement many questioned whether or not it was a quite fast resolution and could also be nearly cashing in on the Indian troopers die to make the cash registers ringing.
However, Vijay Shekhar Gupta , the producer of the movie, titled Suicide or Murder: A Star Was Lost, disagrees that it’s going to be an exploitation of somebody’s tragic loss of life.
“If I wanted to cash in on a popular subject for fame, I’d have made a film on Shaheen Bagh or the Anti-CAA protests. This is a comment on the film industry and how it treats outsiders and drives them to suicide. First we saw Jiah Khan and now Sushant. I want to show the world the dark side of the Hindi film industry and how it functions,” he says.
Follow @htshowbiz for extra
[ad_2]
Source link